Mary heilmann san francisco night view

          Representative of the artist's fascination with visual space, San Francisco (Day) and San Francisco (Night) suggest the same cityscape under different lighting.!

          Born in San Francisco, California (b.

          Mary Heilmann's exhibition at Dia Beacon is the first dedicated presentation of the artist's Starry Night series (–71) since its debut at Paley and Lowe.

        1. Mary Heilmann's exhibition at Dia Beacon is the first dedicated presentation of the artist's Starry Night series (–71) since its debut at Paley and Lowe.
        2. 🖼️ You can see Mary Heilmann's "San Francisco (Night)" and "San view in “To Exalt the Ephemeral: The (Im)permanent Collection.
        3. Representative of the artist's fascination with visual space, San Francisco (Day) and San Francisco (Night) suggest the same cityscape under different lighting.
        4. Mary Heilmann is an American Postwar & Contemporary painter who was born in Her work is currently being shown at multiple venues.
        5. Heilmann's painting 'Driving at Night' (), is evocative of night driving along scenic highways and evokes the very familiar narrative of road trips, road.
        6. 1940)

          San Francisco (Day)1990

          Oil on canvas

          San Francisco (Night)1990

          Oil on canvas

          ©  Mary Heilmann; courtesy the artist, 303 Gallery and Hauser & Wirth.

          Mary Heilmann originally studied literature at UC Santa Barbara, before switching to poetry and ceramics at San Francisco State University and, later, UC Berkeley. Representative of the artist’s fascination with visual space, San Francisco (Day) and San Francisco (Night) suggest the same cityscape under different lighting conditions.

          The windowed facade of a building, colorfully lit from within, is implied by six small rectangles of vivid color that shine through a layered background: black overpainted with white in the daytime view, and white overpainted with black to represent night.

          Evoking the sensation of watching the world go by at different times of day—like, perhaps, from a bedroom window in a childhood home—these works demonstrat